登陆注册
15752600000107

第107章

In order to show that this statement is not a mere fancifulconceit, I will produce the evidence on which it rests. Very farthe most ancient judicial proceeding known to us is the LegisActio Sacramenti of the Romans, out of which all the later RomanLaw of Actions may be proved to have grown. Gaius carefullydescribes its ceremonial. Unmeaning and grotesque as it appearsat first sight, a little attention enables us to decipher andinterpret it.

The subject of litigation is supposed to be. in Court. If itis moveable, it is actually there. If it be immoveable, afragment or sample of it is brought in its place; land, forinstance, is represented by a clod, a house by a single brick. Inthe example selected by Gaius, the suit is for a slave. Theproceeding begins by the plaintiff's advancing with a rod, which,as Gaius expressly tells, symbolised a spear. He lays hold of theslave and asserts a right to him with the words, "Hunc egohominem ex Jure Quiritium meum esse dico secundum suam causamsicut dixi." and then saying, "Ecce tibi Vindictam imposui," hetouches him with the spear. The defendant goes through the sameseries of acts and gestures. On this the Praetor intervenes, andbids the litigants relax their hold, "Mittite ambo hominem." Theyobey, and the plaintiff demands from the defendant the reason ofhis interference, "Postulo anne dicas qua ex causa vindicaveris."a question which is replied to by a fresh assertion of right,"Jus peregi sicut vindictam imposui." On this, the first claimantoffers to stake a sum of money, called a Sacramentum, on thejustice of his own case, "Quando tu injuria provocasti, DaerisSacramento te provoco," and the defendant, in the phrase"Similiter ego te," accepts the wager. The subsequent proceedingswere no longer of a formal kind, but it is to be observed thatthe Praetor took security for the Sacramentum, which always wentinto the coffers of the State.

Such was the necessary preface of every ancient Roman suit.

It is impossible, I think, to refuse assent to the suggestion ofthose who see in it a dramatisation of the Origin of Justice. Twoarmed men are wrangling about some disputed property The Praetor,vir pietate gravis, happens to be going by, and interposes tostop the contest. The disputants state their case to him, andagree that he shall arbitrate between them, it being arrangedthat the loser, besides resigning the subject of the quarrel,shall pay a sum of money to the umpire as remuneration for histrouble and loss of time. This interpretation would be lessplausible than it is, were it not that, by a surprisingcoincidence, the ceremony described by Gaius as the imperativecourse of proceeding in a Legis Actio is substantially the samewith one of the two subjects which the God Hephaestus isdescribed by Homer as moulding into the First Compartment of theShield of Achilles. In the Homeric trial-scene, the dispute, asif expressly intended to bring out the characteristics ofprimitive society, is not about property but about thecomposition for a homicide. One person asserts that he has paidit, the other that he has never received it. The point of detail,however, which stamps the picture as the counterpart of thearchaic Roman practice is the reward designed for the judges. Twotalents of gold lie in the middle, to be given to him who shallexplain the grounds of the decision most to the satisfaction ofthe audience, The magnitude of this sum as compared with thetrifling amount of the Sacramentum seems to me indicative of theindifference between fluctuating usage and usage consolidatedinto law. The scene introduced by the poet as a striking andcharacteristic, but still only occasional, feature of city-lifein the heroic age has stiffened, at the opening of the history.

of civil process, into the regular, ordinary formalities of alawsuit. It is natural therefore that in the Legis Actio theremuneration of the Judge should be reduced to a reasonable sum,and that, instead of being adjudged to one of a number ofarbitrators by popular acclamation, it should be paid as a matterof course to the State which the Praetor represents. But that theincidents described so vividly by homer, and by Gaius with evenmore than the usual crudity of technical language, havesubstantially the same meaning, I cannot doubt; and, inconfirmation of this view, it may be added that many observers ofthe earliest judicial usages of modern Europe have remarked thatthe fines inflicted by Courts on offenders were originallysacramenta. The State did not take from the defendant acomposition for any wrong supposed to be done to itself, butclaimed a share in the compensation awarded to the plaintiffsimply as the fair price of its time and trouble. Mr. Kembleexpressly assigns this character to the Anglo-Saxon bannum orfredum.

同类推荐
热门推荐
  • 黄陵文典(小说卷)

    黄陵文典(小说卷)

    公元2008年4月4日,时值戊子年清明佳节。由黄帝故里黄陵县组织编纂、陕西人民出版社出版的大型历史文化系列丛书—《黄陵文典》1—19卷
  • 霸宠:易见漠钟情

    霸宠:易见漠钟情

    他和她家是世交,两家门当户对。他是霸道总裁,是万人崇拜的偶像。她是傲娇千金。有着倾国倾城的容貌,是人见人爱,花见花开,车间车爆胎的美女。两人初次见面有了争执。后来她就把他当做霸道总裁和不折不扣的任性少爷。从那以后,她被调戏,他救了她。渐渐的他发现他爱上了她。于是开启了追女人之旅。经过死缠烂打,软磨硬泡之后,他和她能否在一起?
  • 字母的童话

    字母的童话

    本书把26个字母的关系用爱情的方式演绎出来,环环相扣,形成一个神奇、美好、纯真的童话世界。26个字母,它们既是全文的章节名称,却又是26个故事的主人公,每个字母代表一个渴望恋爱的孩子,用自己凌厉却悲哀的眼神谱写出一曲惟有恋人才听得懂的灵魂乐。一曲惟有恋人才听得见的灵魂乐,一部26个字母荡气回肠的爱情圣经。
  • 花千骨之落叶

    花千骨之落叶

    我不相信正,不相信邪,我只相信你!白子画,今生所做的一切,我从未后悔过。可是若能重来一次,我再也不要爱上你!我没有师父,没有朋友,没有爱人,没有孩子,当初我以为我有全世界,却原来什么都是假的。爱我的,为我而死,我爱的,却一心想要我死。我信的,背叛我,我依赖的,舍弃我。我什么也不要,什么也不求,只想简单的生活,可是……是老天逼我,是你逼我!你以为到了现在,我还回得了头么?我身上这一百零三剑,十七个窟窿,满身疤痕,没有一处不是你赐我的。十六年的囚禁,再加上这两条命,欠你的,我早就还清了。断念已残,宫铃已毁,从今往后,我与你师徒恩断义绝!白子画,你其实从不信我,你只信自己的眼睛。
  • The Shape of Fear

    The Shape of Fear

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 妖颜如玉

    妖颜如玉

    “店家,可有辣椒面。”“有,不知小姐要微辣还是?”“给我最辣的!闻一闻就能辣死人的那种”隔着纱帽递给掌柜一个你懂的眼神,如玉小声回答到。这掌柜的是个明白人,会意后立刻回了一个我明白的眼神给如玉,然后后拿出了如玉要的东西。温暖的春日骄阳下,头戴洁白纱帽的翩翩少女拎着一个油纸包,似是很满意般点点头后莲步轻移出了店门,只见她右手中的油纸包上面贴着的红纸,赫然印着三个苍劲有力的毛笔字——王中王!
  • 加油萌妻:霸道老公挑战你

    加油萌妻:霸道老公挑战你

    来到李家以前的记忆,究竟是什么?沈睿轩,你究竟爱不爱我?失去家的自己该何去何从?……这些问题困扰着她,让她感到活着十分痛苦!她此刻只想他在身旁陪着自己,对自己说……“加油!老婆!”“唔,老公我来挑战你了!”
  • 伴夏时光

    伴夏时光

    茫茫人海中遇见你是偶然,茫茫人海中爱上你是缘分。爱上你又分离是无缘,再遇见是作孽。
  • 绣球缘

    绣球缘

    《绣球缘》,又题《烈女惊魂传》、《巧冤家》。小说以前明万历神宗皇帝时期,镇国公胡豹谋反事为线索,叙才女黄素娟与朱能的坎坷经历与爱情故事,以及烈女朱秀霞显灵复仇之事,属才子佳人小说。
  • 曳烛光

    曳烛光

    她,性情冷漠,毫不在乎,所有一切都是她利用的工具,穿越到古代发现自己被诬陷,被退婚,被毁容,她发誓要在这个陌生的国度活得风生水起,谁知遇上了他,同样的冷漠,同样的孤僻,却不知何时他的心已经为她敞开....她淡然:再来烦我,小心我的毒针。他同样的淡然:我知道你舍不得。她笑了,如同妖冶的莆靥花。