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第10章 SECT. V. Various Forms of Polytheism: Allegory, He

He first addresses himself to VENUS as to that generating power, which animates, renews, and beautifies the universe: But is soon betrayed by the mythology into incoherencies, while he prays to that allegorical personage to appease the furies of her lover MARS; An idea not drawn from allegory, but from the popular religion, and which LUCRETIUS, as an EPICUREAN, could not consistently admit of.

The deities of the vulgar are so little superior to human creatures, that, where men are affected with strong sentiments of veneration or gratitude for any hero or public benefactor, nothing can be more natural than to convert him into a god, and fill the heavens, after this manner, with continual recruits from among mankind. Most of the divinities of the ancient world are supposed to have once been men, and to have been beholden for their apotheosis to the admiration and affection of the people. The real history of their adventures, corrupted by tradition, and elevated by the marvellous, become a plentiful source of fable; especially in passing through the hands of poets, allegorists, and priests, who successively improved upon the wonder and astonishment of the ignorant multitude.

Painters too and sculptors came in for their share of profit in the sacred mysteries; and furnishing men with sensible representations of their divinities, whom they cloathed in human figures, gave great encrease to the public devotion, and determined its object. It was probably for want of these arts in rude and barbarous ages, that men deified plants, animals, and even brute, unorganized matter; and rather than be without a sensible object of worship, affixed divinity to such ungainly forms. Could any statuary of SYRIA, in early times, have formed a just figure of APOLLO, the conic stone, HELIOGABALUS, had never become the object of such profound adoration, and been received as a representation of the solar deity.35STILPO was banished by the council of AREOPAGUS, for affirming that the MINERVA in the citadel was no divinity; but the workmanship of PHIDIAS, the sculptor.36 What degree of reason must we expect in the religious belief of the vulgar in other nations; when ATHENIANS and AREOPAGITEScould entertain such gross conceptions?

These then are the general principles of polytheism, founded in human nature, and little or nothing dependent on caprice and accident. As the causes, which bestow happiness or misery, are, in general, very little known and very uncertain, our anxious concern endeavours to attain a determinate idea of them; and finds no better expedient than to represent them as intelligent voluntary agents, like ourselves;only somewhat superior in power and wisdom. The limited influence of these agents, and their great proximity to human weakness, introduce the various distribution and division of their authority; and thereby give rise to allegory.

The same principles naturally deify mortals, superior in power, courage, or understanding, and produce hero- worship; together with fabulous history and mythological tradition, in all its wild and unaccountable forms. And as an invisible spiritual intelligence is an object too refined for vulgar apprehension, men naturally affix it to some sensible representation;such as either the more conspicuous parts of nature, or the statues, images, and pictures, which a more refined age forms of its divinities.

Almost all idolaters, of whatever age or country, concur in these general principles and conceptions; and even the particular characters and provinces, which they assign to their deities, are not extremely different.37 The GREEKand ROMAN travellers and conquerors, without much difficulty, found their own deities every where; and said, This is MERCURY, that VENUS; this MARS, that NEPTUNE; by whatever title the strange gods might be denominated. The goddess HERTHA of our SAXON ancestors seems to be no other, according to TACITUS,38 than the Mater Tellus of the ROMANS; and his conjecture was evidently just.

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