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第16章 A DREAM OF ARMAGEDDON(3)

"Ah!" said the man with the white face; "then perhaps you can tell me--you will know if this is indeed Capri. For in this life I have never been there. Let me describe it. We were in a little room, one of a vast multitude of little rooms, very cool and sunny, hollowed out of the limestone of a sort of cape, very high above the sea. The whole island, you know, was one enormous hotel, complex beyond explaining, and on the other side there were miles of floating hotels, and huge floating stages to which the flying machines came. They called it a pleasure city. Of course, there was none of that in your time--rather, I should say, is none of that now. Of course. Now!--yes.

"Well, this room of ours was at the extremity of the cape, so that one could see east and west. Eastward was a great cliff--a thousand feet high perhaps--coldly gray except for one bright edge of gold, and beyond it the Isle of the Sirens, and a falling coast that faded and passed into the hot sunrise. And when one turned to the west, distinct and near was a little bay, a little beach still in shadow. And out of that shadow rose Solaro straight and tall, flushed and golden crested, like a beauty throned, and the white moon was floating behind her in the sky. And before us from east to west stretched the many-tinted sea all dotted with little sailing boats.

"To the eastward, of course, these little boats were gray and very minute and clear, but to the westward they were little boats of gold--shining gold--almost like little flames. And just below us was a rock with an arch worn through it. The blue sea-water broke to green and foam all round the rock, and a galley came gliding out of the arch."

"I know that rock." I said. "I was nearly drowned there. It is called the Faraglioni."

"I Faraglioni? Yes, she called it that," answered the man with the white face. "There was some story--but that--"

He put his hand to his forehead again. " No," he said, "I forget that story."

"Well, that is the first thing I remember, the first dream I had, that little shaded room and the beautiful air and sky and that dear lady of mine, with her shining arms and her graceful robe, and how we sat and talked in half whispers to one another. We talked in whispers not because there was any one to hear, but because there was still such a freshness of mind between us that our thoughts were a little frightened, I think, to find themselves at last in words. And so they went softly.

"Presently we were hungry and we went from our apartment, going by a strange passage with a moving floor, until we came to the great breakfast room--there was a fountain and music. A pleasant and joyful place it was, with its sunlight and splashing, and the murmur of plucked strings. And we sat and ate and smiled at one another, and I would not heed a man who was watching me from a table near by.

"And afterwards we went on to the dancing-hall. But I cannot describe that hall. The place was enormous--larger than any building you have ever seen--and in one place there was the old gate of Capri, caught into the wall of a gallery high overhead.

Light girders, stems and threads of gold, burst from the pillars like fountains, streamed like an Aurora across the roof and interlaced, like--like conjuring tricks. All about the great circle for the dancers there were beautiful figures, strange dragons, and intricate and wonderful grotesques bearing lights.

The place was inundated with artificial light that shamed the newborn day. And as we went through the throng the people turned about and looked at us, for all through the world my name and face were known, and how I had suddenly thrown up pride and struggle to come to this place. And they looked also at the lady beside me, though half the story of how at last she had come to me was unknown or mistold. And few of the men who were there, I know, but judged me a happy man, in spite of all the shame and dishonour that had come upon my name.

"The air was full of music, full of harmonious scents, full of the rhythm of beautiful motions. Thousands of beautiful people swarmed about the hall, crowded the galleries, sat in a myriad recesses; they were dressed in splendid colours and crowned with flowers; thousands danced about the great circle beneath the white images of the ancient gods, and glorious processions of youths and maidens came and went. We two danced, not the dreary monotonies of your days--of this time, I mean--but dances that were beautiful, intoxicating. And even now I can see my lady dancing--dancing joyously. She danced, you know, with a serious face; she danced with a serious dignity, and yet she was smiling at me and caressing me--smiling and caressing with her eyes.

"The music was different," he murmured. "It went--I cannot describe it; but it was infinitely richer and more varied than any music that has ever come to me awake.

"And then--it was when we had done dancing--a man came to speak to me. He was a lean, resolute man, very soberly clad for that place, and already I had marked his face watching me in the breakfasting hall, and afterwards as we went along the passage I had avoided his eye. But now, as we sat in a little alcove, smiling at the pleasure of all the people who went to and fro across the shining floor, he came and touched me, and spoke to me so that I was forced to listen. And he asked that he might speak to me for a little time apart.

"'No,' I said. 'I have no secrets from this lady. What do you want to tell me?'

"He said it was a trivial matter, or at least a dry matter, for a lady to hear.

"'Perhaps for me to hear,' said I.

"He glanced at her, as though almost he would appeal to her.

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