Lucilla's Journal, continued _September_ 1st.
I AM composed enough to return to my Journal, and to let my mind dwell a little on all that I have thought and felt since Oscar has been here.
Now that I have lost Madame Pratolungo, I have no friend with whom I can talk over my little secrets. My aunt is all that is kind and good to me; but with a person so much older than I am--who has lived in such a different world from my world, and whose ideas seem to be so far away from mine--how can I talk about my follies and extravagances, and expect sympathy in return! My one confidential friend is my Journal--I can only talk about myself to myself, in these pages. My position feels sometimes like a very lonely one. I saw two girls telling all their secrets to each other on the sands to-day--and I am afraid I envied them.
Well, my dear Journal, how did I feel--after longing for Oscar--when Oscar came to me? It is dreadful to own it; but my book locks up, and my book can be trusted with the truth. I felt ready to cry--I was so unexpectedly, so horribly, disappointed.
No. "Disappointed" is not the word. I can't find the word. There was a moment--I hardly dare write it: it seems so atrociously wicked--there was a moment when I actually wished myself blind again.
He took me in his arms; he held my hand in his. In the time when I was blind, how I should have felt it! how the delicious _tingle_ would have run through me when he touched me! Nothing of the kind happened now. He might have been Oscar's brother for all the effect he produced on me. I have myself taken his hand since, and shut my eyes to try and renew my blindness, and put myself back completely as I was in the old time. The same result still. Nothing, nothing, nothing!
Is it that he is a little restrained with me on his side? He certainly is! I felt it the moment he came into the room--I have felt it ever since.
No: it is not that. In the old time, when we were only beginning to love each other, he was restrained with me. But it made no difference then. I was not the insensible creature in those days that I have become since.
I can only account for it in one way. The restoration of my sight has made a new creature of me. I have gained a sense--I am no longer the same woman. This great change must have had some influence over me that I never suspected until Oscar came here. Can the loss of my sense of feeling be the price that I have paid for the recovery of my sense of sight?
When Grosse comes next, I shall put that question to him.
In the meanwhile, I have had a second disappointment. He is not nearly so beautiful as I thought he was when I was blind.
On the day when my bandage was taken off for the first time, I could only see indistinctly. When I ran into the room at the rectory, I guessed it was Oscar rather than knew it was Oscar. My father's grey head, and Mrs.
Finch's woman's dress, would no doubt have helped anybody in my place to fix as I did on the right man. But this is all different now. I can see his features in detail--and the result is (though I won't own it to any of them) that I find my idea of him in the days of my blindness--oh, so unlike the reality! The one thing that is not a disappointment to me, is his voice. When he cannot see me, I close my eyes, and let my ears feel the old charm again--so far.
And this is what I have gained, by submitting to the operation, and enduring my imprisonment in the darkened room!
What am I writing? I ought to be ashamed of myself! Is it nothing to have had all the beauty of land and sea, all the glory of cloud and sunshine, revealed to me? Is it nothing to be able to look at my fellow-creatures--to see the bright faces of children smile at me when I speak to them? Enough of myself! I am unhappy and ungrateful when I think of myself.
Let me write about Oscar.
My aunt approves of him. She thinks him handsome, and says he has the manners of a gentleman. This last is high praise from Miss Batchford. She despises the present generation of young men. "In my time," she said the other day, "I used to see young gentlemen. I only see young animals now; well-fed, well-washed, well-dressed; riding animals, rowing animals, betting animals--nothing more."
Oscar, on his side, seems to like Miss Batchford on better acquaintance.
When I first presented him to her, he rather surprised me by changing color and looking very uneasy. He is almost distressingly nervous, on certain occasions. I suppose my aunt's grand manner daunted him.
[Note.--I really must break in here. Her aunt's "grand manner" makes me sick. It is nothing (between ourselves) but a hook-nose and a stiff pair of stays. What daunted Nugent Dubourg, when he first found himself in the old lady's presence, was the fear of discovery. He would no doubt have learnt from his brother that Oscar and Miss Batchford had never met. You will see, if you look back, that it was, in the nature of things, impossible they should have met. But is it equally clear that Nugent could find out beforehand that Miss Batchford had been left in ignorance of what had happened at Dimchurch? He could do nothing of the sort--he could feel no assurance of his security from exposure, until he had tried the ground in his own proper person first. The risk here was certainly serious enough to make even Nugent Dubourg feel uneasy. And Lucilla talks of her aunt's "grand manner!" Poor innocent! I leave her to go on.--P.]
As soon as my aunt left us together, the first words I said to Oscar, referred (of course) to his letter about Madame Pratolungo.
He made a little sign of entreaty, and looked distressed.
"Why should we spoil the pleasure of our first meeting by talking of her?" he said. "It is so inexpressibly painful to you and to me. Let us return to it in a day or two. Not now, Lucilla--not now!"
His brother was the next subject in my mind. I was not at all sure how he would take my speaking about it. I risked a question however, for all that. He made another sign of entreaty, and looked distressed again.
