"You're talking about some silly person's idea of a good woman.""I quite admit it," replied Jephson. "Nor, indeed, am I prepared to say what is a good woman. I consider the subject too deep and too complicated for any mere human being to give judgment upon. But IAM talking of the women who conformed to the popular idea of maidenly goodness in the age when these books were written. You must remember goodness is not a known quantity. It varies with every age and every locality, and it is, generally speaking, your 'silly persons' who are responsible for its varying standards. In Japan, a 'good' girl would be a girl who would sell her honour in order to afford little luxuries to her aged parents. In certain hospitable islands of the torrid zone the 'good' wife goes to lengths that we should deem altogether unnecessary in making her husband's guest feel himself at home. In ancient Hebraic days, Jael was accounted a good woman for murdering a sleeping man, and Sarai stood in no danger of losing the respect of her little world when she led Hagar unto Abraham. In eighteenth-century England, supernatural stupidity and dulness of a degree that must have been difficult to attain, were held to be feminine virtues--indeed, they are so still--and authors, who are always among the most servile followers of public opinion, fashioned their puppets accordingly.
Nowadays 'slumming' is the most applauded virtue, and so all our best heroines go slumming, and are 'good to the poor.'""How useful 'the poor' are," remarked MacShaughnassy, somewhat abruptly, placing his feet on the mantelpiece, and tilting his chair back till it stood at an angle that caused us to rivet our attention upon it with hopeful interest. "I don't think we scribbling fellows ever fully grasp how much we owe to 'the poor.' Where would our angelic heroines and our noble-hearted heroes be if it were not for 'the poor'? We want to show that the dear girl is as good as she is beautiful. What do we do? We put a basket full of chickens and bottles of wine on her arm, a fetching little sun-bonnet on her head, and send her round among the poor. How do we prove that our apparent scamp of a hero is really a noble young man at heart? Why, by explaining that he is good to the poor.
"They are as useful in real life as they are in Bookland. What is it consoles the tradesman when the actor, earning eighty pounds a week, cannot pay his debts? Why, reading in the theatrical newspapers gushing accounts of the dear fellow's invariable generosity to the poor. What is it stills the small but irritating voice of conscience when we have successfully accomplished some extra big feat of swindling? Why, the noble resolve to give ten per cent of the net profits to the poor.
"What does a man do when he finds himself growing old, and feels that it is time for him to think seriously about securing his position in the next world? Why, he becomes suddenly good to the poor. If the poor were not there for him to be good to, what could he do? He would be unable to reform at all. It's a great comfort to think that the poor will always be with us. They are the ladder by which we climb into heaven."There was silence for a few moments, while MacShaughnassy puffed away vigorously, and almost savagely, at his pipe, and then Brown said: "I can tell you rather a quaint incident, bearing very aptly on the subject. A cousin of mine was a land-agent in a small country town, and among the houses on his list was a fine old mansion that had remained vacant for many years. He had despaired of ever selling it, when one day an elderly lady, very richly dressed, drove up to the office and made inquiries about it. She said she had come across it accidentally while travelling through that part of the country the previous autumn, and had been much struck by its beauty and picturesqueness. She added she was looking out for some quiet spot where she could settle down and peacefully pass the remainder of her days, and thought this place might possibly prove to be the very thing for her.
"My cousin, delighted with the chance of a purchaser, at once drove her across to the estate, which was about eight miles distant from the town, and they went over it together. My cousin waxed eloquent upon the subject of its advantages. He dwelt upon its quiet and seclusion, its proximity--but not too close proximity--to the church, its convenient distance from the village.
"Everything pointed to a satisfactory conclusion of the business.
The lady was charmed with the situation and the surroundings, and delighted with the house and grounds. She considered the price moderate.
"'And now, Mr. Brown,' said she, as they stood by the lodge gate, 'tell me, what class of poor have you got round about?'
"'Poor?' answered my cousin; 'there are no poor.'
"'No poor!' exclaimed the lady. 'No poor people in the village, or anywhere near?'
"'You won't find a poor person within five miles of the estate,' he replied proudly. 'You see, my dear madam, this is a thinly populated and exceedingly prosperous county: this particular district especially so. There is not a family in it that is not, comparatively speaking, well-to-do.'
"'I'm sorry to hear that,' said the lady, in a tone of disappointment. 'The place would have suited me so admirably but for that.'
"'But surely, madam,' cried my cousin, to whom a demand for poor persons was an entirely new idea, 'you don't mean to say that you WANT poor people! Why, we've always considered it one of the chief attractions of the property--nothing to shock the eye or wound the susceptibilities of the most tender-hearted occupant.'
