登陆注册
15387600000054

第54章 ANALYTIC OF AESTHETIC JUDGEMENT(21)

The immediate synthesis of the representation of an object with pleasure can only be a matter of internal perception, and, were nothing more than this sought to be indicated, would only yield a mere empirical judgement.For with no representation can I a priori connect a determinate feeling (of pleasure or displeasure) except where I rely upon the basis of an a priori principle in reason determining the will.The truth is that the pleasure (in the moral feeling) is the consequence of the determination of the will by the principle.It cannot, therefore, be compared with the pleasure in taste.For it requires a determinate concept of a law: whereas the pleasure in taste has to be connected immediately with the sample estimate prior to any concept.For the same reason, also, all judgements of taste are singular judgements, for they unite their predicate of delight, not to a concept, but to a given singular empirical representation.

Hence, in a judgement of taste, what is represented a priori as a universal rule for the judgement and as valid for everyone, is not the pleasure but the universal validity of this pleasure perceived, as it is, to be combined in the mind with the mere estimate of an object.

A judgement to the effect that it is with pleasure that I perceive and estimate some object is an empirical judgement.But if it asserts that I think the object beautiful, i.e., that I may attribute that delight to everyone as necessary, it is then an a priori judgement.

SS 38.Deduction of judgements of taste.

Admitting that in a pure judgement of taste the delight in the object is connected with the mere estimate of its form, then what we feel to be associated in the mind with the representation of the object is nothing else than its subjective finality for judgement.

Since, now, in respect of the formal rules of estimating, apart from all matter (whether sensation or concept), judgement can only be directed to the subjective conditions of its employment in general (which is not restricted to the particular mode of sense nor to a particular concept of the understanding), and so can only be directed to that subjective factor which we may presuppose in all men (as requisite for a possible experience generally), it follows that the accordance of a representation with these conditions of the judgement must admit of being assumed valid a priori for every one.In other words, we are warranted in exacting from every one the pleasure or subjective finality of the representation in respect of the relation of the cognitive faculties engaged in the estimate of a sensible object in general.

In order to be justified in claiming universal agreement an aesthetic judgement merely resting on subjective grounds, it is sufficient to assume: (1) that the subjective conditions of this faculty of aesthetic judgement are identical with all men in what concerns the relation of the cognitive faculties, there brought into action, with a view to a cognition in general.This must be true, as otherwise men would be incapable of communicating their representations or even their knowledge; (2) that the judgement has paid regard merely to this relation (consequently merely to the formal condition of the faculty of judgement), and is pure, i.e., is free from confusion either with concepts of the object or sensations as determining grounds.If any mistake is made in this latter point, this only touches the incorrect application to a particular case of the right which a law gives us, and does not do away with the right generally.

Remark.

What makes this deduction so easy is that it is spared the necessity of having to justify the objective reality of a concept.For beauty is not a concept of the object, and the judgement of taste is not a cognitive judgement.All that it holds out for is that we are justified in presupposing that the same subjective conditions of judgement which we find in ourselves are universally present in every man, and further that we have rightly subsumed the given object under these conditions.The latter, no doubt, has to face unavoidable difficulties which do not affect the logical judgement.

(For there the subsumption is under concepts; whereas in the aesthetic judgement it is under a mere sensible relation of the imagination and understanding mutually harmonizing with one another in the represented form of the object, in which case the subsumption may easily prove fallacious.) But this in no way detracts from the legitimacy of the claim of the judgement to count upon universal agreement-a claim which amounts to no more than this: the correctness of the principle of judging validly for every one upon subjective grounds.For as to the difficulty and uncertainty concerning the correctness of the subsumption under that principle, it no more casts a doubt upon the legitimacy of the claim to this validity on the part of an aesthetic judgement generally, or, therefore, upon the principle itself, than the mistakes (though.not so often or easily incurred), to which the subsumption of the logical judgement under its principle is similarly liable, can render the latter principle, which is objective, open to doubt.But if the question were: How is it possible to assume a priori that nature is a complex of objects of taste? the problem would then have reference to teleology, because it would have to be regarded as an end of nature belonging essentially to its concept that it should exhibit forms that are final for our judgement.But the correctness of this assumption may still be seriously questioned, while the actual existence of beauties of nature is patent to experience.

SS 39.The communicability of a sensation.

同类推荐
  • 近思录集注

    近思录集注

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 婆罗岸全传

    婆罗岸全传

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • Aucassin and Nicolete

    Aucassin and Nicolete

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • The Young Forester

    The Young Forester

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 伤寒来苏集

    伤寒来苏集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 双子星公主之水晶天使

    双子星公主之水晶天使

    法音的变化,天哪!法音从一个好吃,爱撒娇的法音变成了一个高贵,身上散发着王者气息,从缺点很多的女孩变成了一个完美无缺的女孩。
  • 前任再相遇

    前任再相遇

    分手后的沈思聪,经过种种险境,在某个会上与前任相遇了……美好的校园爱情,能否抵挡现实的残酷?让沈思聪带你一寻究竟!
  • 青春可曾喂过狗

    青春可曾喂过狗

    那年的桃花正红,那夜的月色迷蒙,花季中的邂逅,青春的悸动在燃烧。
  • 让你目瞪口呆的怪诞心理学

    让你目瞪口呆的怪诞心理学

    这里有生活中最常见却最不正常的心理问题;这里有围绕身边最多见却最荒诞的行为怪癖;这里揭秘不被人注意却普遍存在的人性的优点和弱点;这里介绍了千奇百怪、形形色色的各种心理学趣味现象与常识;这里为你指出了健康身心、平衡心态的多种实用简单的心理调适方法——《去梯言—让你目瞪口呆的怪诞心理学》基于人们对心理健康的需要,以生动贴切、具有代表性的心理故事,加以科学条理性的分析,讲述了各种生活和工作中最常见的异常心理、怪诞行为现象、神秘莫测的心理学常识等。这些心理学知识都是从我们生活出发,从自身出发,日常生活息息相关的各种心理及随之产生的种种行为看似荒诞神奇,却有着深刻的形成根源。
  • 管理学常识一本通

    管理学常识一本通

    《管理学常识一本通》整合各正宗管理学读本为一体,《管理学常识一本通》通晓整个管理学。同时给理论知识配上案例故事,方便读者掌握理论知识的同时,在案例故事中得加深理解和记忆。易懂的语言,巧妙的故事构成了《管理学常识一本通》知识性、趣味性和哲理性于一身的管理学常识大集合,给您生活和工作添色彩!
  • 造化之始

    造化之始

    一笑笙歌四海平,一怒伏尸血万顷。一舞翩跹红妆绕,一曲清幽诉离生。一剑苍穹尽挽破,一骑飞踏夜月明。一聚一散一世愁,一爱一恨一生情。
  • 傲娇女王狠狠爱

    傲娇女王狠狠爱

    宫墨谦勾起邪魅的唇角,定定的看着晕在他怀中的陌紫璃……只有他不想要的,没有他得不到的。她,他一定会得到……“啊……我怎么会在这?”陌紫璃看着这陌生的房间,顿时慌了手脚…这里…是酒店!!!“做我情人吧”腹黑大少的一句话,让迷茫中的她震惊了有木有,这个男人难道是神经病?在爱情的路上,谁才可以坐收渔翁之利?傲娇女王和腹黑大少的爱恋之旅正式启程——
  • 丑女不愁嫁:玉面美娇娘

    丑女不愁嫁:玉面美娇娘

    她是五毒教最小的师妹,却是资质最差的一个,也是最丑的一个。因为从小脸上的伤疤,她不得不带着半边面具示人。她被众师兄逼上了寻找大师兄之路。她是爬山涉水啊,翻山越岭啊,经历了千难万险终于找到了传说中的‘大师兄’。眼前这个颓废得不行的男人,真的是大师兄吗?他那唏嘘的胡渣子,忧郁的眼神,还有那神乎奇技的刀法……都深深的吸引了她!等等!他真的是传说中的大师兄吗?为什么混混打他都不还手,真是越看越窝囊,本来还指望他一展五毒教的绝学的,怎么变成了她救他?有没有搞错啊!难道她认错人啦?不会吧!
  • 中外侦探文学故事(下)

    中外侦探文学故事(下)

    为了让广大读者,尤其是青少年读者朋友,参够在有限的时间里阅读最优美的文学名著篇章,我们精心选编了这本《中外文学名著故事总集》,它将世界公认的最具代表性的文学名著,一一改编成故事形式,文字尽量通俗易懂,内容尽量保留精华,以使广大读者可以通过最简捷的形式,畅快阅读中外文学名著的精华。
  • 你好或再见

    你好或再见

    韩文中,有一个单词,既可以表示你好,同样也可以表示再见。老天爷偏偏如此无情,这个单词非敬语,只能对亲密的人说。