We say the theft, for Isaac had simply made up his mind to steal the tulip; and as it grew in the most profound secrecy, and as, moreover, his word, being that of a renowned tulip-grower, would any day be taken against that of an unknown girl without any knowledge of horticulture, or against that of a prisoner convicted of high treason, he confidently hoped that, having once got possession of the bulb, he would be certain to obtain the prize; and then the tulip, instead of being called Tulipa nigra Barlaensis, would go down to posterity under the name of Tulipa nigra Boxtellensis or Boxtellea.
Mynheer Isaac had not yet quite decided which of these two names he would give to the tulip, but, as both meant the same thing, this was, after all, not the important point.
The point was to steal the tulip.But in order that Boxtel might steal the tulip, it was necessary that Rosa should leave her room.
Great therefore was his joy when he saw the usual evening meetings of the lovers resumed.
He first of all took advantage of Rosa's absence to make himself fully acquainted with all the peculiarities of the door of her chamber.The lock was a double one and in good order, but Rosa always took the key with her.
Boxtel at first entertained an idea of stealing the key, but it soon occurred to him, not only that it would be exceedingly difficult to abstract it from her pocket, but also that, when she perceived her loss, she would not leave her room until the lock was changed, and then Boxtel's first theft would be useless.
He thought it, therefore, better to employ a different expedient.He collected as many keys as he could, and tried all of them during one of those delightful hours which Rosa and Cornelius passed together at the grating of the cell.
Two of the keys entered the lock, and one of them turned round once, but not the second time.
There was, therefore, only a little to be done to this key.
Boxtel covered it with a slight coat of wax, and when he thus renewed the experiment, the obstacle which prevented the key from being turned a second time left its impression on the wax.
It cost Boxtel two days more to bring his key to perfection, with the aid of a small file.
Rosa's door thus opened without noise and without difficulty, and Boxtel found himself in her room alone with the tulip.
The first guilty act of Boxtel had been to climb over a wall in order to dig up the tulip; the second, to introduce himself into the dry-room of Cornelius, through an open window; and the third, to enter Rosa's room by means of a false key.
Thus envy urged Boxtel on with rapid steps in the career of crime.
Boxtel, as we have said, was alone with the tulip.
A common thief would have taken the pot under his arm, and carried it off.
But Boxtel was not a common thief, and he reflected.
It was not yet certain, although very probable, that the tulip would flower black; if, therefore, he stole it now, he not only might be committing a useless crime, but also the theft might be discovered in the time which must elapse until the flower should open.
He therefore -- as being in possession of the key, he might enter Rosa's chamber whenever he liked -- thought it better to wait and to take it either an hour before or after opening, and to start on the instant to Haarlem, where the tulip would be before the judges of the committee before any one else could put in a reclamation.
Should any one then reclaim it, Boxtel would in his turn charge him or her with theft.
This was a deep-laid scheme, and quite worthy of its author.
Thus, every evening during that delightful hour which the two lovers passed together at the grated window, Boxtel entered Rosa's chamber to watch the progress which the black tulip had made towards flowering.
On the evening at which we have arrived he was going to enter according to custom; but the two lovers, as we have seen, only exchanged a few words before Cornelius sent Rosa back to watch over the tulip.
Seeing Rosa enter her room ten minutes after she had left it, Boxtel guessed that the tulip had opened, or was about to open.
During that night, therefore, the great blow was to be struck.Boxtel presented himself before Gryphus with a double supply of Genievre, that is to say, with a bottle in each pocket.
Gryphus being once fuddled, Boxtel was very nearly master of the house.
At eleven o'clock Gryphus was dead drunk.At two in the morning Boxtel saw Rosa leaving the chamber; but evidently she held in her arms something which she carried with great care.
He did not doubt that this was the black tulip which was in flower.
But what was she going to do with it? Would she set out that instant to Haarlem with it?
It was not possible that a young girl should undertake such a journey alone during the night.
Was she only going to show the tulip to Cornelius? This was more likely.
He followed Rosa in his stocking feet, walking on tiptoe.
He saw her approach the grated window.He heard her calling Cornelius.By the light of the dark lantern he saw the tulip open, and black as the night in which he was hidden.
He heard the plan concerted between Cornelius and Rosa to send a messenger to Haarlem.He saw the lips of the lovers meet, and then heard Cornelius send Rosa away.
He saw Rosa extinguish the light and return to her chamber.
Ten minutes after, he saw her leave the room again, and lock it twice.
Boxtel, who saw all this whilst hiding himself on the landing-place of the staircase above, descended step by step from his story as Rosa descended from hers; so that, when she touched with her light foot the lowest step of the staircase, Boxtel touched with a still lighter hand the lock of Rosa's chamber.
And in that hand, it must be understood, he held the false key which opened Rosa's door as easily as did the real one.
And this is why, in the beginning of the chapter, we said that the poor young people were in great need of the protection of God.
