登陆注册
15321600000005

第5章 CLOUD(1)

During a part of the year London does not see the clouds.Not to see the clear sky might seem her chief loss, but that is shared by the rest of England, and is, besides, but a slight privation.Not to see the clear sky is, elsewhere, to see the cloud.But not so in London.You may go for a week or two at a time, even though you hold your head up as you walk, and even though you have windows that really open, and yet you shall see no cloud, or but a single edge, the fragment of a form.

Guillotine windows never wholly open, but are filled with a doubled glass towards the sky when you open them towards the street.They are, therefore, a sure sign that for all the years when no other windows were used in London, nobody there cared much for the sky, or even knew so much as whether there were a sky.

But the privation of cloud is indeed a graver loss than the world knows.Terrestrial scenery is much, but it is not all.Men go in search of it; but the celestial scenery journeys to them.It goes its way round the world.It has no nation, it costs no weariness, it knows no bonds.The terrestrial scenery - the tourist's - is a prisoner compared with this.The tourist's scenery moves indeed, but only like Wordsworth's maiden, with earth's diurnal course; it is made as fast as its own graves.And for its changes it depends upon the mobility of the skies.The mere green flushing of its own sap makes only the least of its varieties; for the greater it must wait upon the visits of the light.Spring and autumn are inconsiderable events in a landscape compared with the shadows of a cloud.

The cloud controls the light, and the mountains on earth appear or fade according to its passage; they wear so simply, from head to foot, the luminous grey or the emphatic purple, as the cloud permits, that their own local colour and their own local season are lost and cease, effaced before the all-important mood of the cloud.

The sea has no mood except that of the sky and of its winds.It is the cloud that, holding the sun's rays in a sheaf as a giant holds a handful of spears, strikes the horizon, touches the extreme edge with a delicate revelation of light, or suddenly puts it out and makes the foreground shine.

Every one knows the manifest work of the cloud when it descends and partakes in the landscape obviously, lies half-way across the mountain slope, stoops to rain heavily upon the lake, and blots out part of the view by the rough method of standing in front of it.

But its greatest things are done from its own place, aloft.Thence does it distribute the sun.

Thence does it lock away between the hills and valleys more mysteries than a poet conceals, but, like him, not by interception.

Thence it writes out and cancels all the tracery of Monte Rosa, or lets the pencils of the sun renew them.Thence, hiding nothing, and yet making dark, it sheds deep colour upon the forest land of Sussex, so that, seen from the hills, all the country is divided between grave blue and graver sunlight.

And all this is but its influence, its secondary work upon the world.Its own beauty is unaltered when it has no earthly beauty to improve.It is always great: above the street, above the suburbs, above the gas-works and the stucco, above the faces of painted white houses - the painted surfaces that have been devised as the only things able to vulgarise light, as they catch it and reflect it grotesquely from their importunate gloss.This is to be well seen on a sunny evening in Regent Street.

Even here the cloud is not so victorious as when it towers above some little landscape of rather paltry interest - a conventional river heavy with water, gardens with their little evergreens, walks, and shrubberies; and thick trees impervious to the light, touched, as the novelists always have it, with "autumn tints." High over these rises, in the enormous scale of the scenery of clouds, what no man expected - an heroic sky.Few of the things that were ever done upon earth are great enough to be done under such a heaven.It was surely designed for other days.It is for an epic world.Your eyes sweep a thousand miles of cloud.What are the distances of earth to these, and what are the distances of the clear and cloudless sky?

同类推荐
  • 震川先生集

    震川先生集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 河源志

    河源志

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 北使纪略

    北使纪略

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 释迦如来行迹颂

    释迦如来行迹颂

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 古今译经图纪

    古今译经图纪

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 宠妃有泪

    宠妃有泪

    他不是皇帝时,他曾经信誓旦旦地对丑陋的容颜说:接受你的愿得一心人。他初登皇位时,他对她说:真正许你一心人。当她为他入宫后,他亲自逼她打掉了腹中骨肉,一朝成为帝王宠妃,若爱不得,她宁可全部舍弃!当她风华转身,走出高墙,那个失落的人又是谁?(本文纯属虚构,请勿模仿。)
  • 寻仙之天命狂刀

    寻仙之天命狂刀

    当神话变成传说,诸神已经陨落。当黑暗再次降临,谁能扛起救世的大旗。一个落榜书生,如何一步步的崛起,成就一代仙王的传说!一切尽在此中!
  • 花开了又落

    花开了又落

    她,被她的初恋男友抛弃而回到中国,回国也要开始她们的复仇计划,复仇计划完成以后,又没过多久,初恋男友又找到了她。他,在看到她第一眼时就喜欢上了她好不容易和她在一起了,但已经没了时间。两人爱的花火在此打开。
  • 逆变苍穹

    逆变苍穹

    这是一个没有魔法的世界。这是一个武力至上的世界。主角本是一个拥有奇遇的大神,却遭奸人设计。本该魂飞魄散的他却回到了他小的时候。一个小地方的天才之一,但是他不学无术。主角逆天改命,能否成功,好吧,主角光环嘛,既然逆天改命哪能这么容易。
  • 玩转古代

    玩转古代

    天羿阴差阳错的跟心腹们一起跌到古代。难得来到古代,可是,太无聊了。咦,这个男人挺有趣的,就跟他玩玩消磨时间也不错。可是,这古代人太可恶了,他都牺牲色相,他想要什么都答应他了,还舍命相救了,可他竟然不甩自已?走着瞧,他一定要让他臣服在他的脚下。伊昱,无言问苍天,他是倒了八辈子的霉吗?否则怎会遇上这个煞星,将他的人生搞得乱七八糟的。哪位神仙来救救他。
  • 那一年,我们毕业了

    那一年,我们毕业了

    那一年发生了很多事,最大的事就是--我们毕业了
  • 赤城湖

    赤城湖

    就是想说接句,,,,,,,,,,,,,,,,,
  • 捉鬼夫妻档

    捉鬼夫妻档

    捉鬼这种事还是两口子一起来比较有情调一些捉鬼降尸,聚阴炼魔,风水堪舆,道门秘术,这个世界并非你所看到的那么简单,且看杨瑞两口子如何轻松玩转阴阳两界走向致富之路,登上人生巅峰!
  • 阴间行

    阴间行

    是时间控制着命运,还是命运操控着时间?人来人往的世界里也有人遭受孤独,人心冷漠。一位少年为何总在阴间路上来回,来回时又为何叹气。
  • 逐芒

    逐芒

    新历十四年,一场大火将京都近郊的一座别院焚毁,大火烧了三天三夜,晋国皇帝李睿最宠爱的静妃和四皇子惨死其中。新历二十五年,南楚奇才受邀成为晋国太学教习。他为人洒脱却又心思缜密,在他进入晋国的那一刹那,这几十年的风雨便被他所搅动!随影而来,逐芒而去。且看他如何搅动晋国这几十年的风雨!