登陆注册
15300600000001

第1章 PREFACE(1)

The correspondence of P.J.Proudhon, the first volumes of which we publish to-day, has been collected since his death by the faithful and intelligent labors of his daughter, aided by a few friends.It was incomplete when submitted to Sainte Beuve, but the portion with which the illustrious academician became acquainted was sufficient to allow him to estimate it as a whole with that soundness of judgment which characterized him as a literary critic.

In the French edition of Proudhon's works, the above sketch of his life is prefixed to the first volume of his correspondence, but the translator prefers to insert it here as the best method of introducing the author to the American public.

He would, however, caution readers against accepting the biographer's interpretation of the author's views as in any sense authoritative; advising them, rather, to await the publication of the remainder of Proudhon's writings, that they may form an opinion for themselves.--Translator.

In an important work, which his habitual readers certainly have not forgotten, although death did not allow him to finish it, Sainte Beuve thus judges the correspondence of the great publicist:--"The letters of Proudhon, even outside the circle of his particular friends, will always be of value; we can always learn something from them, and here is the proper place to determine the general character of his correspondence.

"It has always been large, especially since he became so celebrated; and, to tell the truth, I am persuaded that, in the future, the correspondence of Proudhon will be his principal, vital work, and that most of his books will be only accessory to and corroborative of this.At any rate, his books can be well understood only by the aid of his letters and the continual explanations which he makes to those who consult him in their doubt, and request him to define more clearly his position.

"There are, among celebrated people, many methods of correspondence.There are those to whom letter-writing is a bore, and who, assailed with questions and compliments, reply in the greatest haste, solely that the job may be over with, and who return politeness for politeness, mingling it with more or less wit.This kind of correspondence, though coming from celebrated people, is insignificant and unworthy of collection and classification.

"After those who write letters in performance of a disagreeable duty, and almost side by side with them in point of insignificance, I should put those who write in a manner wholly external, wholly superficial, devoted only to flattery, lavishing praise like gold, without counting it; and those also who weigh every word, who reply formally and pompously, with a view to fine phrases and effects.They exchange words only, and choose them solely for their brilliancy and show.You think it is you, individually, to whom they speak; but they are addressing themselves in your person to the four corners of Europe.Such letters are empty, and teach as nothing but theatrical execution and the favorite pose of their writers.

"I will not class among the latter the more prudent and sagacious authors who, when writing to individuals, keep one eye on posterity.We know that many who pursue this method have written long, finished, charming, flattering, and tolerably natural letters.Beranger furnishes us with the best example of this class.

"Proudhon, however, is a man of entirely different nature and habits.In writing, he thinks of nothing but his idea and the person whom he addresses: ad rem et ad hominem.A man of conviction and doctrine, to write does not weary him; to be questioned does not annoy him.When approached, he cares only to know that your motive is not one of futile curiosity, but the love of truth; he assumes you to be serious, he replies, he examines your objections, sometimes verbally, sometimes in writing; for, as he remarks, `if there be some points which correspondence can never settle, but which can be made clear by conversation in two minutes, at other times just the opposite is the case: an objection clearly stated in writing, a doubt well expressed, which elicits a direct and positive reply, helps things along more than ten hours of oral intercourse!' In writing to you he does not hesitate to treat the subject anew; he unfolds to you the foundation and superstructure of his thought:

rarely does he confess himself defeated--it is not his way; he holds to his position, but admits the breaks, the variations, in short, the EVOLUTION of his mind.The history of his mind is in his letters; there it must be sought.

"Proudhon, whoever addresses him, is always ready; he quits the page of the book on which he is at work to answer you with the same pen, and that without losing patience, without getting confused, without sparing or complaining of his ink; he is a public man, devoted to the propagation of his idea by all methods, and the best method, with him, is always the present one, the latest one.His very handwriting, bold, uniform, legible, even in the most tiresome passages, betrays no haste, no hurry to finish.Each line is accurate: nothing is left to chance; the punctuation, very correct and a little emphatic and decided, indicates with precision and delicate distinction all the links in the chain of his argument.He is devoted entirely to you, to his business and yours, while writing to you, and never to anything else.All the letters of his which I have seen are serious: not one is commonplace.

同类推荐
  • 佛说法受尘经

    佛说法受尘经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 像法决疑经

    像法决疑经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 古今风谣

    古今风谣

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 海国闻见录

    海国闻见录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 道枢

    道枢

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 凤凰归之侯府三小姐

    凤凰归之侯府三小姐

    她是21世纪的金牌杀手,却死在最信任的人手里。当在另一世重生后,开始享受着新生命给自己带来的快乐生活。天不遂人愿,当劫难再次来临时,她才真正意识到:一味忍让并不是好办法,只有让自己强大才是硬道理。从这一刻起,她不会忍让也不需忍让,人不犯我我不犯人,人若犯我,我必杀之。既然有了这神秘的力量,她就是要改天换地又如何……
  • 樱雪染旧梦

    樱雪染旧梦

    233666年,一个新崛起的国家统一了世界,作为战败国,所有其他国家都失去了名字,沦为1至100区,其中较为鼎盛的区是仅次于帝皇的霸主,他们对其他弱小的区一次次压迫欺凌,结果招致了弱小区域群起反攻,但还是一次次被镇压了下去.....
  • 羌希暗夜之夫君快到碗里来

    羌希暗夜之夫君快到碗里来

    “你就是灵界的耻辱!”她是被老灵王定为最卑贱的族人,在灵界遭受着白眼和嘲讽。遇见他,不知是命运的眷顾还是作弄。护法?灵杖的主动契约?魔王示爱?寻找河罗门?只是为了离他更近。越靠近他,为什么身世的秘密就越多人知晓?!大战四起,神兽被灭,被追杀,,封印被冲破,她觉醒与四界为敌。他说:谁敢伤害她的性命,我便让谁陪葬!谁敢拆散我们,我就吞了谁的祖魂!这一世,下一世,生生世世,她都是我的妻!
  • 傲视星穹

    傲视星穹

    世人诽我,欺我,辱我,贱我,当如何处知乎?只需揍他,抽他,踹他,捶他,不信打不死他!盗贼宗师苏莫,一朝重生帝国纨绔,从此开始他一怒天下惧,翻手云,覆手雨的幸福生活。
  • 神灭传

    神灭传

    说到神仙,我们大部分人马上就能想到玉皇大帝、如来佛祖、观音菩萨、唐三藏、孙悟空、元始天尊、太上老君、姜子牙等神仙人物;说到写神仙的书,我们也能想到《搜神记》《西游记》《封神演义》等神怪小说。但是,现在说到神仙都去哪了,有哪些人能回答我呢?
  • 超神电竞

    超神电竞

    热血青年王小明,到底会和电竞迸发出怎样的火花
  • 入若耶溪

    入若耶溪

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 俄苏现代著名作品(世界文学百科丛书)

    俄苏现代著名作品(世界文学百科丛书)

    《俄苏现代著名作品》从作品的时代背景、内容介绍、影响等几个方面对包括《钦差大臣》、《狼与羊》、《上尉的女儿》、《父与子》、《母亲》等在内的苏俄现代著名作品进行了剖析。是我们学习和了解苏俄现代文学概貌的良好读物,也是广大图书馆珍藏的良好读本。
  • 遗脉之战

    遗脉之战

    “圣营”是一个民间寻宝组织,他的存在很隐秘其内部的五位当家人也很神秘,能够知道“圣营”存在甚至找到他的人,其身份都不简单,可以说是五花八门,圣营内的五位当家均以华夏五圣兽为名,老大青龙,老二白虎,老三朱雀,老四玄武,老五为中宫麒麟,故事就围绕这他们开始。
  • 蕉廊脞录

    蕉廊脞录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。