not a parish in the world but has its parish-accent;--the rhythm or _tune_to which the people there _sing_ what they have to say! Accent is a kind of chanting; all men have accent of their own,--though they only _notice_that of others. Observe too how all passionate language does of itself become musical,--with a finer music than the mere accent; the speech of a man even in zealous anger becomes a chant, a song. All deep things are Song. It seems somehow the very central essence of us, Song; as if all the rest were but wrappages and hulls! The primal element of us; of us, and of all things. The Greeks fabled of Sphere-Harmonies: it was the feeling they had of the inner structure of Nature; that the soul of all her voices and utterances was perfect music. Poetry, therefore, we will call _musical Thought_. The Poet is he who _thinks_ in that manner. At bottom, it turns still on power of intellect; it is a man's sincerity and depth of vision that makes him a Poet. See deep enough, and you see musically; the heart of Nature _being_ everywhere music, if you can only reach it.
The _Vates_ Poet, with his melodious Apocalypse of Nature, seems to hold a poor rank among us, in comparison with the _Vates_ Prophet; his function, and our esteem of him for his function, alike slight. The Hero taken as Divinity; the Hero taken as Prophet; then next the Hero taken only as Poet:
does it not look as if our estimate of the Great Man, epoch after epoch, were continually diminishing? We take him first for a god, then for one god-inspired; and now in the next stage of it, his most miraculous word gains from us only the recognition that he is a Poet, beautiful verse-maker, man of genius, or such like!--It looks so; but I persuade myself that intrinsically it is not so. If we consider well, it will perhaps appear that in man still there is the _same_ altogether peculiar admiration for the Heroic Gift, by what name soever called, that there at any time was.
I should say, if we do not now reckon a Great Man literally divine, it is that our notions of God, of the supreme unattainable Fountain of Splendor, Wisdom and Heroism, are ever rising _higher_; not altogether that our reverence for these qualities, as manifested in our like, is getting lower.
This is worth taking thought of. Sceptical Dilettantism, the curse of these ages, a curse which will not last forever, does indeed in this the highest province of human things, as in all provinces, make sad work; and our reverence for great men, all crippled, blinded, paralytic as it is, comes out in poor plight, hardly recognizable. Men worship the shows of great men; the most disbelieve that there is any reality of great men to worship. The dreariest, fatalest faith; believing which, one would literally despair of human things. Nevertheless look, for example, at Napoleon! A Corsican lieutenant of artillery; that is the show of _him_:
yet is he not obeyed, worshipped after his sort, as all the Tiaraed and Diademed of the world put together could not be? High Duchesses, and ostlers of inns, gather round the Scottish rustic, Burns;--a strange feeling dwelling in each that they never heard a man like this; that, on the whole, this is the man! In the secret heart of these people it still dimly reveals itself, though there is no accredited way of uttering it at present, that this rustic, with his black brows and flashing sun-eyes, and strange words moving laughter and tears, is of a dignity far beyond all others, incommensurable with all others. Do not we feel it so? But now, were Dilettantism, Scepticism, Triviality, and all that sorrowful brood, cast out of us,--as, by God's blessing, they shall one day be; were faith in the shows of things entirely swept out, replaced by clear faith in the _things_, so that a man acted on the impulse of that only, and counted the other non-extant; what a new livelier feeling towards this Burns were it!
Nay here in these ages, such as they are, have we not two mere Poets, if not deified, yet we may say beatified? Shakspeare and Dante are Saints of Poetry; really, if we will think of it, _canonized_, so that it is impiety to meddle with them. The unguided instinct of the world, working across all these perverse impediments, has arrived at such result. Dante and Shakspeare are a peculiar Two. They dwell apart, in a kind of royal solitude; none equal, none second to them: in the general feeling of the world, a certain transcendentalism, a glory as of complete perfection, invests these two. They _are_ canonized, though no Pope or Cardinals took hand in doing it! Such, in spite of every perverting influence, in the most unheroic times, is still our indestructible reverence for heroism.--We will look a little at these Two, the Poet Dante and the Poet Shakspeare:
what little it is permitted us to say here of the Hero as Poet will most fitly arrange itself in that fashion.
