THE Old Town, it is pretended, is the chief characteristic, and, from a picturesque point of view, the liver-wing of Edinburgh. It is one of the most common forms of depreciation to throw cold water on the whole by adroit over-commendation of a part, since everything worth judging, whether it be a man, a work of art, or only a fine city, must be judged upon its merits as a whole. The Old Town depends for much of its effect on the new quarters that lie around it, on the sufficiency of its situation, and on the hills that back it up. If you were to set it somewhere else by itself, it would look remarkably like Stirling in a bolder and loftier edition. The point is to see this embellished Stirling planted in the midst of a large, active, and fantastic modern city; for there the two re-act in a picturesque sense, and the one is the making of the other.
The Old Town occupies a sloping ridge or tail of diluvial matter, protected, in some subsidence of the waters, by the Castle cliffs which fortify it to the west. On the one side of it and the other the new towns of the south and of the north occupy their lower, broader, and more gentle hill-tops. Thus, the quarter of the Castle over-tops the whole city and keeps an open view to sea and land. It dominates for miles on every side; and people on the decks of ships, or ploughing in quiet country places over in Fife, can see the banner on the Castle battlements, and the smoke of the Old Town blowing abroad over the subjacent country. A city that is set upon a hill. It was, I suppose, from this distant aspect that she got her nickname of AULD REEKIE. Perhaps it was given her by people who had never crossed her doors: day after day, from their various rustic Pisgahs, they had seen the pile of building on the hill-top, and the long plume of smoke over the plain; so it appeared to them; so it had appeared to their fathers tilling the same field; and as that was all they knew of the place, it could be all expressed in these two words.
Indeed, even on a nearer view, the Old Town is properly smoked; and though it is well washed with rain all the year round, it has a grim and sooty aspect among its younger suburbs. It grew, under the law that regulates the growth of walled cities in precarious situations, not in extent, but in height and density.
Public buildings were forced, wherever there was room for them, into the midst of thoroughfares; thorough - fares were diminished into lanes; houses sprang up story after story, neighbour mounting upon neighbour's shoulder, as in some Black Hole of Calcutta, until the population slept fourteen or fifteen deep in a vertical direction.
The tallest of these LANDS, as they are locally termed, have long since been burnt out; but to this day it is not uncommon to see eight or ten windows at a flight; and the cliff of building which hangs imminent over Waverley Bridge would still put many natural precipices to shame.
The cellars are already high above the gazer's head, planted on the steep hill-side; as for the garret, all the furniture may be in the pawn-shop, but it commands a famous prospect to the Highland hills. The poor man may roost up there in the centre of Edinburgh, and yet have a peep of the green country from his window; he shall see the quarters of the well-to-do fathoms underneath, with their broad squares and gardens; he shall have nothing overhead but a few spires, the stone top-gallants of the city; and perhaps the wind may reach him with a rustic pureness, and bring a smack of the sea or of flowering lilacs in the spring.
It is almost the correct literary sentiment to deplore the revolutionary improvements of Mr. Chambers and his following. It is easy to be a conservator of the discomforts of others; indeed, it is only our good qualities we find it irksome to conserve. Assuredly, in driving streets through the black labyrinth, a few curious old corners have been swept away, and some associations turned out of house and home. But what slices of sunlight, what breaths of clean air, have been let in! And what a picturesque world remains untouched!
You go under dark arches, and down dark stairs and alleys. The way is so narrow that you can lay a hand on either wall; so steep that, in greasy winter weather, the pavement is almost as treacherous as ice. Washing dangles above washing from the windows; the houses bulge outwards upon flimsy brackets; you see a bit of sculpture in a dark corner; at the top of all, a gable and a few crowsteps are printed on the sky. Here, you come into a court where the children are at play and the grown people sit upon their doorsteps, and perhaps a church spire shows itself above the roofs. Here, in the narrowest of the entry, you find a great old mansion still erect, with some insignia of its former state - some scutcheon, some holy or courageous motto, on the lintel. The local antiquary points out where famous and well-born people had their lodging; and as you look up, out pops the head of a slatternly woman from the countess's window. The Bedouins camp within Pharaoh's palace walls, and the old war-ship is given over to the rats. We are already a far way from the days when powdered heads were plentiful in these alleys, with jolly, port-wine faces underneath.
Even in the chief thoroughfares Irish washings flutter at the windows, and the pavements are encumbered with loiterers.
These loiterers are a true character of the scene.
