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第22章

ON three sides of Edinburgh, the country slopes downward from the city, here to the sea, there to the fat farms of Haddington, there to the mineral fields of Linlithgow. On the south alone, it keeps rising until it not only out-tops the Castle but looks down on Arthur's Seat. The character of the neighbourhood is pretty strongly marked by a scarcity of hedges; by many stone walls of varying height; by a fair amount of timber, some of it well grown, but apt to be of a bushy, northern profile and poor in foliage; by here and there a little river, Esk or Leith or Almond, busily journeying in the bottom of its glen; and from almost every point, by a peep of the sea or the hills. There is no lack of variety, and yet most of the elements are common to all parts; and the southern district is alone distinguished by considerable summits and a wide view.

From Boroughmuirhead, where the Scottish army encamped before Flodden, the road descends a long hill, at the bottom of which and just as it is preparing to mount upon the other side, it passes a toll-bar and issues at once into the open country. Even as I write these words, they are being antiquated in the progress of events, and the chisels are tinkling on a new row of houses. The builders have at length adventured beyond the toll which held them in respect so long, and proceed to career in these fresh pastures like a herd of colts turned loose. As Lord Beaconsfield proposed to hang an architect by way of stimulation, a man, looking on these doomed meads, imagines a similar example to deter the builders; for it seems as if it must come to an open fight at last to preserve a corner of green country unbedevilled. And here, appropriately enough, there stood in old days a crow-haunted gibbet, with two bodies hanged in chains. I used to be shown, when a child, a flat stone in the roadway to which the gibbet had been fixed. People of a willing fancy were persuaded, and sought to persuade others, that this stone was never dry.

And no wonder, they would add, for the two men had only stolen fourpence between them.

For about two miles the road climbs upwards, a long hot walk in summer time. You reach the summit at a place where four ways meet, beside the toll of Fairmilehead.

The spot is breezy and agreeable both in name and aspect.

The hills are close by across a valley: Kirk Yetton, with its long, upright scars visible as far as Fife, and Allermuir the tallest on this side with wood and tilled field running high upon their borders, and haunches all moulded into innumerable glens and shelvings and variegated with heather and fern. The air comes briskly and sweetly off the hills, pure from the elevation and rustically scented by the upland plants; and even at the toll, you may hear the curlew calling on its mate. At certain seasons, when the gulls desert their surfy forelands, the birds of sea and mountain hunt and scream together in the same field by Fairmilehead. The winged, wild things intermix their wheelings, the sea-birds skim the tree-tops and fish among the furrows of the plough.

These little craft of air are at home in all the world, so long as they cruise in their own element; and, like sailors, ask but food and water from the shores they coast.

Below, over a stream, the road passes Bow Bridge, now a dairy-farm, but once a distillery of whisky. It chanced, some time in the past century, that the distiller was on terms of good-fellowship with the visiting officer of excise. The latter was of an easy, friendly disposition, and a master of convivial arts.

Now and again, he had to walk out of Edinburgh to measure the distiller's stock; and although it was agreeable to find his business lead him in a friend's direction, it was unfortunate that the friend should be a loser by his visits. Accordingly, when he got about the level of Fairmilehead, the gauger would take his flute, without which he never travelled, from his pocket, fit it together, and set manfully to playing, as if for his own delectation and inspired by the beauty of the scene. His favourite air, it seems, was 'Over the hills and far away.' At the first note, the distiller pricked his ears. A flute at Fairmilehead? and playing 'Over the hills and far away?' This must be his friendly enemy, the gauger. Instantly horses were harnessed, and sundry barrels of whisky were got upon a cart, driven at a gallop round Hill End, and buried in the mossy glen behind Kirk Yetton. In the same breath, you may be sure, a fat fowl was put to the fire, and the whitest napery prepared for the back parlour. A little after, the gauger, having had his fill of music for the moment, came strolling down with the most innocent air imaginable, and found the good people at Bow Bridge taken entirely unawares by his arrival, but none the less glad to see him. The distiller's liquor and the gauger's flute would combine to speed the moments of digestion; and when both were somewhat mellow, they would wind up the evening with 'Over the hills and far away' to an accompaniment of knowing glances. And at least, there is a smuggling story, with original and half-idyllic features.

A little further, the road to the right passes an upright stone in a field. The country people call it General Kay's monument. According to them, an officer of that name had perished there in battle at some indistinct period before the beginning of history. The date is reassuring; for I think cautious writers are silent on the General's exploits. But the stone is connected with one of those remarkable tenures of land which linger on into the modern world from Feudalism. Whenever the reigning sovereign passes by, a certain landed proprietor is held bound to climb on to the top, trumpet in hand, and sound a flourish according to the measure of his knowledge in that art. Happily for a respectable family, crowned heads have no great business in the Pentland Hills. But the story lends a character of comicality to the stone; and the passer-by will sometimes chuckle to himself.

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