"Little ghost!" and then some words that must be Swedish. It was the first time Gyp had ever come to close quarters with drunkenness. And her thought was simply: 'How awful if anybody were to see--how awful!' She made a rush to get into the hall and lock the door leading to the back regions, but he caught her frock, ripping the lace from her neck, and his entangled fingers clutched her shoulder. She stopped dead, fearing to make a noise or pull him over, and his other hand clutched her other shoulder, so that he stood steadying himself by her. Why was she not shocked, smitten to the ground with grief and shame and rage? She only felt: "What am I to do? How get him upstairs without anyone knowing?" And she looked up into his face--it seemed to her so pathetic with its shining eyes and its staring whiteness that she could have burst into tears. She said gently:
"Gustav, it's all right. Lean on me; we'll go up."His hands, that seemed to have no power or purpose, touched her cheeks, mechanically caressing. More than disgust, she felt that awful pity. Putting her arm round his waist, she moved with him toward the stairs. If only no one heard; if only she could get him quietly up! And she murmured:
"Don't talk; you're not well. Lean on me hard."He seemed to make a big effort; his lips puffed out, and with an expression of pride that would have been comic if not so tragic, he muttered something.
Holding him close with all her strength, as she might have held one desperately loved, she began to mount. It was easier than she had thought. Only across the landing now, into the bedroom, and then the danger would be over. Done! He was lying across the bed, and the door shut. Then, for a moment, she gave way to a fit of shivering so violent that she could hear her teeth chattering yet could not stop them. She caught sight of herself in the big mirror. Her pretty lace was all torn; her shoulders were red where his hands had gripped her, holding himself up. She threw off her dress, put on a wrapper, and went up to him. He was lying in a sort of stupor, and with difficulty she got him to sit up and lean against the bed-rail. Taking off his tie and collar, she racked her brains for what to give him. Sal volatile! Surely that must be right. It brought him to himself, so that he even tried to kiss her. At last he was in bed, and she stood looking at him. His eyes were closed; he would not see if she gave way now. But she would not cry--she would not. One sob came--but that was all.
Well, there was nothing to be done now but get into bed too. She undressed, and turned out the light. He was in a stertorous sleep.
And lying there, with eyes wide open, staring into the dark, a smile came on her lips--a very strange smile! She was thinking of all those preposterous young wives she had read of, who, blushing, trembling, murmur into the ears of their young husbands that they "have something--something to tell them!"VI
Looking at Fiorsen, next morning, still sunk in heavy sleep, her first thought was: 'He looks exactly the same.' And, suddenly, it seemed queer to her that she had not been, and still was not, disgusted. It was all too deep for disgust, and somehow, too natural. She took this new revelation of his unbridled ways without resentment. Besides, she had long known of this taste of his--one cannot drink brandy and not betray it.
She stole noiselessly from bed, noiselessly gathered up his boots and clothes all tumbled on to a chair, and took them forth to the dressing-room. There she held the garments up to the early light and brushed them, then, noiseless, stole back to bed, with needle and thread and her lace. No one must know; not even he must know.
For the moment she had forgotten that other thing so terrifically important. It came back to her, very sudden, very sickening. So long as she could keep it secret, no one should know that either--he least of all.
The morning passed as usual; but when she came to the music-room at noon, she found that he had gone out. She was just sitting down to lunch when Betty, with the broad smile which prevailed on her moon-face when someone had tickled the right side of her, announced:
"Count Rosek."
Gyp got up, startled.
"Say that Mr. Fiorsen is not in, Betty. But--but ask if he will come and have some lunch, and get a bottle of hock up, please."In the few seconds before her visitor appeared, Gyp experienced the sort of excitement one has entering a field where a bull is grazing.
But not even his severest critics could accuse Rosek of want of tact. He had hoped to see Gustav, but it was charming of her to give him lunch--a great delight!
He seemed to have put off, as if for her benefit, his corsets, and some, at all events, of his offending looks--seemed simpler, more genuine. His face was slightly browned, as if, for once, he had been taking his due of air and sun. He talked without cynical submeanings, was most appreciative of her "charming little house,"and even showed some warmth in his sayings about art and music.
Gyp had never disliked him less. But her instincts were on the watch. After lunch, they went out across the garden to see the music-room, and he sat down at the piano. He had the deep, caressing touch that lies in fingers of steel worked by a real passion for tone. Gyp sat on the divan and listened. She was out of his sight there; and she looked at him, wondering. He was playing Schumann's Child Music. How could one who produced such fresh idyllic sounds have sinister intentions? And presently she said:
"Count Rosek!"
"Madame?"
"Will you please tell me why you sent Daphne Wing here yesterday?""I send her?"
"Yes."
But instantly she regretted having asked that question. He had swung round on the music-stool and was looking full at her. His face had changed.
"Since you ask me, I thought you should know that Gustav is seeing a good deal of her."He had given the exact answer she had divined.
"Do you think I mind that?"
A flicker passed over his face. He got up and said quietly:
"I am glad that you do not."
"Why glad?"
